For the Gaahleri World Creators Cup (GWCC) 2026 I decided to do a build project of the base on Carsendo - well, actually Wilma's (and Vladimir's) house on the base. Rather than showing another adventure, I wanted to build the place Wilma and Vladimir return to between their expeditions — their home on Carsendo.
I had a relatively clear idea of what I wanted to do.
Little did I know what massive project it would be. Well, relatively massive. Compared to the ATHENA it is tiny and went quick.
The size of the project was decided by my wooden transport box
The base build was done with cardboard - actually 2mm "Buchbinderpappe" like this
My plan was also to keep everything modular and removable, to provide easy access for painting
My plan was also to keep everything modular and removable, to provide easy access for painting
The main size criteria for the workshop on the ground floor was to fit the MULE vehicle reasonably inside
The floor of the living room needed to be specifically shaped to allow maximum visibility to the workshop below - given a viewline slightly higher than eye-level with the model.
Even though I built some steps from the workshop up, I realized that this was wasting a tremendous amount of space and so I created a little elevator with platform, that would connect all floors.
I also wanted a lot of large windows for the living quarters
Since the living quarters weren't as high as the workshop below, the top floor of the observatory had to be smaller to allow maximum visibility.I experimented a lot with the viewlines to ensure as much as possible would be visible, without having to go down to eye level.
Since the living quarters weren't as high as the workshop below, the top floor of the observatory had to be smaller to allow maximum visibility.I experimented a lot with the viewlines to ensure as much as possible would be visible, without having to go down to eye level.
Some of the long-time readers may remember an early version on the ATHENAI also experimented with various greenhouse patterns for the balcony
Just like the other pieces I wanted it to be removable for painting.
But it was so flimsy, I finally had to give up that plan and glue it in place.
Of course a simple build project isn't quite my forte, so it needed at least some lights.
And for Vladimir I had the idea of him repairing the MULE and doing some welding. In ZBrush I worked on his pose for quite a while until I was happy with it.
and together with some LED and a chip from a cheap flickering children's party torch, the welding effects ended up rather good.
For the windows my nifty ultrasonic knife became quite handy!
Most of you know what a hassle cutting plexiglass can be, but with the ultrasonic it was very easy.
I tried to build the first window frames from plasticcard - but the result wasn't very convincing and took forever.
FILLING THE HOUSE WITH LIVE
For the living quarters I planned to build some vivariums - again with lightsFor the wooden floor I used a technique I already used on the ATHENA - scribing the pattern into thin plasticcard.
Getting the interior for the observatory involved also some experimenting and moving of piecesFor a while I thought this was the final arrangement, but I changed my mind later on.
Another typical Wilma idea was to have a sun-chair on the roof together with an alien palmtree.
For the balcony I settled on an almost traditional greenhouse and several pots.
I think I spent two whole evenings and super glued my fingers a thousand times to create the plants.
But of course plans never survive the contact with reality and I felt the need for a very special working place for Wilma - her very own desk, that would also tell a story all by itself.
As a final element I need to design a convincing pose for the GB-2 droid and for Wilma herself.
For GB-2 it was relatively easy, as I wanted him to unload boxes while reacting to Wilma above.
For GB-2 it was relatively easy, as I wanted him to unload boxes while reacting to Wilma above.
For Wilma on the other hand I wasn't quite so sure. One very nice option was to have her sitting at the ledge.
PAINTING THE DETAILS
And instead I started painting - around the crane!
It was such a hassle and I cursed myself more than once.
It was such a hassle and I cursed myself more than once.
At least I was able to paint the workshop equipment and shelves separately
Glueing the posters in place proved quite more difficult than I could've imagined.
Glueing the posters in place proved quite more difficult than I could've imagined.
Painting the MULE was rather standard - I thought.
Until I started the windshield!
The original idea was to do a reflection of the landscape.
Until I started the windshield!
The original idea was to do a reflection of the landscape.
I studied various images of trucks with the same kind of windshields.
INTEGRATING THE HOUSE INTO CARSENDO
Next I had to decide how to paint the two mushrooms by the building. I had already painted several mushrooms for the other Carsendo dioramas.Which also inspired me to create a visual collection of the fungi.I really enjoyed devising the various names - though in German they are even better :)
Lilaner Finsterling, Magentapustel, Blubberhut, Fahler Ascheschwamm, or Blaugetupfter Bleichling.
In the end I decided on two rather pale samples so they wouldn't distract from the backdrop later on.Slowly all the items were painted and positioned within the house.
Since Wilma and Vladimir would be way to busy for mundane tasks, and GB-2 needed for the heavy lifting it became clear a (window) cleaning bot was needed.
I looked into some existing designs, like Star Wars droids. But none would really fit Wilma's world, and it felt like a cheat to use an existing design.
The design I finally settled upon was a spidery bot.
As I had mentioned above I wanted Wilma's desk to tell a story of its own. So painting it was a lot of fun. Adding little hints and details.
The maptable was another highlight as I had to try different versions before I got a satisfying result.
Almost done!
Which meant it was time for the backdrop.
Another plan that didn't quite work.
But first I built the actual frame for the backdrop.
But first I built the actual frame for the backdrop.
My original PLAN was to use pastels. but that didn't work as I expected, as the cardboard I used for the backdrop had the wrong consistency, so I couldn't quite get the result I wanted.After some deliberation whether to use the Airbrush or acrylic paint I finally decided on oil paint - which I hadn't worked with in years.Urgh!
It took several days of back and forth before I got even close to a satisfying result.But I pushed through and carried on.
While I was waiting for the oil paints to dry, I setteled on the final pose for Wilma and painted her.
The communicating pose and a special interior suit it was.
The communicating pose and a special interior suit it was.
THE RESULT
And when mounted on the frame I was quite pleased.And so it was time to take the final images and submit it for the GWCC contest.
Looking at it now, I think this became much more than just a contest build. Somewhere between the workshop, Wilma's desk, the greenhouse and all those tiny details, Carsendo Base started to feel like an actual place.
Reminiscent of the good old days with the ATHENA!
I hope you enjoyed this little, rather long workbench post.
Cheers
I hope you enjoyed this little, rather long workbench post.
Cheers
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